Showing posts with label procreate. Show all posts
Showing posts with label procreate. Show all posts
Day 4 - I was in a painting class so I chose to sketch the members of the class but digitally with Procreate on my iPad Pro. Most time the students kept pretty much motionless but still changed position and fidget around once in a while, but there was enough time for me to capture their gestures and likeness at the same time. Once the essence and gestures were done, tones, and hatched lines were added later at the same time. The entire process was quite therapeutic and calming.
Day 5 - completing the challenge while hanging out at a cafe and with friends. These sketches were done predominantly with 2 tools I am comfortable with: Pentel brush pen and Hero fountain pen.
I have been using Procreate to paint more now. This time I am attempting to paint clouds in the Manga/ Anime style. Following some tuts found from the Internet, I tried painting some generic clouds and then duplicating some to create a variety. Here's the result:
The numbers indicate the sequence of attempts. The last and the most satisfactory attempt is placed on the top right hand corner, and duplicated on the left with some transformation. The gradient of the background is done with an airbrush tool modified to the largest size and taking advantage of the pressure sensitivity of the Apple pencil to create a smooth transition. I use the Smudge tool to blend the edges of the clouds to make them look natural. It would be wise to paint hard edges first and then blend in an outward motion after.
To make the clouds look natural, one tip is to design the shapes to be asymmetrical. Have different transparency on all the clouds and edge transitions too. Every cloud has to look different. That's the challenging part.
My next test would be to paint different types of cloud and then eventually create a cloud scene in different time of day.
#animeclouds #paintingclouds #procreate #applepencil #ipadpro #clouds #paintclouds #animeclouds
The numbers indicate the sequence of attempts. The last and the most satisfactory attempt is placed on the top right hand corner, and duplicated on the left with some transformation. The gradient of the background is done with an airbrush tool modified to the largest size and taking advantage of the pressure sensitivity of the Apple pencil to create a smooth transition. I use the Smudge tool to blend the edges of the clouds to make them look natural. It would be wise to paint hard edges first and then blend in an outward motion after.
To make the clouds look natural, one tip is to design the shapes to be asymmetrical. Have different transparency on all the clouds and edge transitions too. Every cloud has to look different. That's the challenging part.
My next test would be to paint different types of cloud and then eventually create a cloud scene in different time of day.
#animeclouds #paintingclouds #procreate #applepencil #ipadpro #clouds #paintclouds #animeclouds
| Initial test drawings on the new iPad Pro (First Generation) |
Digital Sketching with an iPad Pro | Apple Pencil[/caption] For the digital sketch above, I was using an iPad Pro measuring 12.9" that I bought back in Dec 2015. So it has been about 1.5 years using the iPad Pro and Apple Pencil to satisfy my craving to sketch on the digital platform. The person who has inspired me to sketch digitally is Rob Sketcherman (http://www.sketcherman.com/blog/) who has started sketching with the regular iPad and a non-ApplePencil stylus. He has made on his blog, many recommendations on how to sketch digitally from which I drew my knowledge from. I think its me, but I just couldn't do what he did with his gadgets.
First off, instead of using a second or third generation iPad at that time, I was using the first, that did not work well with any of the styluses I purchased. When I tried on a iPad Mini, its configuration wasn't working well too. I had enough from trying so I gave up, honestly. When I met Rob in Singapore during the 4th USK Symposium, he told me to hold back from buying another iPad to try, instead wait for the coming iPad Pro and Apple Pencil. I couldn't believe my ears but I waited for half a year or more, and restraining my impatience for that long. When iPad Pro and Apple Pencil were launched finally, everything was history. They worked well with Procreate, like a charm. I fell once again with sketching on the digital platform again. I have several blog posts before about how I felt with these devices but I will be posting them again here.
| Students hard at work - iPad drawing |
Digital Sketching with an iPad Pro | Apple Pencil[/caption]
The latest version Procreate is doing much more now! When I bought Procreate for the first time, it cost me US5.95. It is costing a lot more now but not more than US10. An APP that costs so little, yet it is doing as much as what Photoshop could do. There are limitations but what it could offer is more than you could imagine. If you want layers, you have it. If you want to alter colours and tonal contrast, it can do too. You can customise brushes to suit your needs. You can have video export of your drawing process in a time lapse which Photoshop couldn't. The verdict is simple. If I am sketching on location with it, it is more than enough.
| Digital Sketching with an iPad Pro | Apple Pencil |
| Urban Sketching with iPad Pro - Blair Road |
I cannot say I have fully exploited Procreate yet. From what I see on Youtube and Google, there are many others who have done so much more. I am simply scratching the surface. I believe with the devices and with the right program, location sketching and painting can be brought to a whole new level.
And today I clocked in the pen mileage with a sketch/ drawing done in Starbucks at Harbourfront Center, after meeting up with a friend. I think I spent a little more than 30-40 mins on this sketch of the cafe, mainly filled with office workers who decided to extend their official meeting in an out-of-office location. They were fun to draw, mainly younger demographics.
My idea of urban sketching is always capturing the sense of time and place of the location. How much of the sense of place? As much as time permits me to do so. I would include everything I could see within my scope of vision. Even when I was drawing with traditional medium, I would draw whatever that is in front of me without much editing. Why not?
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| Sketching in Starbucks |
In most cases, if I have the time, I would tell myself to draw "everything". I derive the satisfaction from doing exactly that.
I just learned that I could turn Airplane Mode ON to save battery life. :D
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| Parkway Parade- sketching at the food center |
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| Sketching on the iPad with Procreate - Kopitiam |
There are always some students in need in class, and you have to attend to them no matter how small the problem is. Fortunately, most problems are good and constructive ones. When some, not a big percentage though, are just lost. I have students who have zero experience in art, be it drawing or painting. Many first timers who do not have a clue on how to hold a pencil to draw. Teaching a class like this takes lotsa patience but most of the time, very rewarding experience. I usually consider teaching an opportunity to learn afresh and to understand the process of learning.

I like students to ask me things, anything. The reason is, I cannot remember everything that I intended to say or teach when it comes to delivering a lecture or some sort. If a class is too quiet, I drift off. I am not the type of teacher who could put up a show, like a magician or a clown does. I am there to impart my experience or knowledge about something, not to entertain. And certainly not to inspire someone to learn something. Don't get me wrong. This is different about inspiring someone to be better. To me, the ability and the desire to learn is from inside out. You have to be interested and be inspired to learn to begin with. My job is not to help with a student's lack of inspiration to learn or to get better. Like a physician who cannot make you get better unless you want to.

Anyway, when the class is focused in their own work, usually their personal project, I would be sketching the students in my spare time. I have been doing that since I started teaching. Its part of my own training and you don't get to sketch people hard at work behind their easels all the time. And it is far more interesting than drawing or painting nude. :D It keeps the class quiet too. And if anyone interested to get behind me to see the process, they are very welcomed to do so.

Here's one done with hard pastels on newsprint. If you can tell, I actually edited this on my iPad Pro with Procreate. It wasn't intentional though. On its own it looks OK, but when I took a pix with my iPhone, the flaws of the drawing become apparent. I have to correct them before I put it out for everyone. It would be embarrassing if someone came to tell me what went wrong with the drawing. Though it is not perfect yet, I am fairly satisfied with the result for now.

Now back to ranting about learning how to draw....
It definitely takes quite a bit of time to learn to draw or paint and to be good at it. There is no shortcut. First of all you need to grapple with the basics, then you have to apply those basics on a more tangible subject matter, like simple geometric forms to human figure. If a student fresh out of school who has no more than doodling on his or her exercise book, the whole process of learning the foundations can seem daunting. I would be if I am that student. Picking up a charcoal or a pencil to draw is like having to learn to use muscles that have not been used before. Just like when I was trying to teach myself to play the piano. I have no idea how to move my fingers at all. I also tried drawing and painting with my non-dominant hand (left hand) and I realise that I am also facing the same problem as a new learner in drawing. I remember those times when I was learning how to drive. The legs just wouldn't want to listen to me. But with practise, driving becomes a breeze. To learn something you need to spend enough time practicing. The more one practices, the better he gets. There is no doubt that any skill needs a considerable amount of investment, in terms of putting in the time. Animators call it putting in the pencil mileage.
To draw well and to paint well, we need to put in enough mileage of time to understand mediums, techniques, ideas, composition, designs, style, and etc. There are so many things to learn and attending just 20 lessons just isn't enough. To become an artist, it takes a life time of learning, exploring and discovering. Without passion to fuel these, it is easy to give up. Moreover, there is also a possibility you may not end up a great artist in the end. However, working hard with patience always pays well.
I like students to ask me things, anything. The reason is, I cannot remember everything that I intended to say or teach when it comes to delivering a lecture or some sort. If a class is too quiet, I drift off. I am not the type of teacher who could put up a show, like a magician or a clown does. I am there to impart my experience or knowledge about something, not to entertain. And certainly not to inspire someone to learn something. Don't get me wrong. This is different about inspiring someone to be better. To me, the ability and the desire to learn is from inside out. You have to be interested and be inspired to learn to begin with. My job is not to help with a student's lack of inspiration to learn or to get better. Like a physician who cannot make you get better unless you want to.

Anyway, when the class is focused in their own work, usually their personal project, I would be sketching the students in my spare time. I have been doing that since I started teaching. Its part of my own training and you don't get to sketch people hard at work behind their easels all the time. And it is far more interesting than drawing or painting nude. :D It keeps the class quiet too. And if anyone interested to get behind me to see the process, they are very welcomed to do so.

Here's one done with hard pastels on newsprint. If you can tell, I actually edited this on my iPad Pro with Procreate. It wasn't intentional though. On its own it looks OK, but when I took a pix with my iPhone, the flaws of the drawing become apparent. I have to correct them before I put it out for everyone. It would be embarrassing if someone came to tell me what went wrong with the drawing. Though it is not perfect yet, I am fairly satisfied with the result for now.

Now back to ranting about learning how to draw....
It definitely takes quite a bit of time to learn to draw or paint and to be good at it. There is no shortcut. First of all you need to grapple with the basics, then you have to apply those basics on a more tangible subject matter, like simple geometric forms to human figure. If a student fresh out of school who has no more than doodling on his or her exercise book, the whole process of learning the foundations can seem daunting. I would be if I am that student. Picking up a charcoal or a pencil to draw is like having to learn to use muscles that have not been used before. Just like when I was trying to teach myself to play the piano. I have no idea how to move my fingers at all. I also tried drawing and painting with my non-dominant hand (left hand) and I realise that I am also facing the same problem as a new learner in drawing. I remember those times when I was learning how to drive. The legs just wouldn't want to listen to me. But with practise, driving becomes a breeze. To learn something you need to spend enough time practicing. The more one practices, the better he gets. There is no doubt that any skill needs a considerable amount of investment, in terms of putting in the time. Animators call it putting in the pencil mileage.
To draw well and to paint well, we need to put in enough mileage of time to understand mediums, techniques, ideas, composition, designs, style, and etc. There are so many things to learn and attending just 20 lessons just isn't enough. To become an artist, it takes a life time of learning, exploring and discovering. Without passion to fuel these, it is easy to give up. Moreover, there is also a possibility you may not end up a great artist in the end. However, working hard with patience always pays well.
It was only a couple of years ago, the idea of a food court changed when big companies decided to brand the idea of selling street food in a shopping mall, where patrons would be able to enjoy relatively cheap and their favourite street food in the comfort of air-conditioning. Well the prices went up quite a bit but many of us seemed to welcome the idea of eating in comfort.
For some, the price hike is not worth it so they stay with the open air food courts, some with ceiling fans, and wouldn't mind basking in the aroma of steam and oil. You could save quite a fair sum if you are eating out everyday.
So now if I say I am sketching in a food court, most people would understand that I am sketching in the comfort of cool air, and comfy chairs. A food center whilst is alfresco, open air concept, and warm if the ceiling fans are broken, or the climate got too hot and humid. A kopitiam is a smaller version of a food center, usually privately owned, open air and is most of the time found in HDB estates. Every venues have different demographics but equally noisy.
Now here's the class divide. Most, but not all, Singaporeans belong to the middle and upper class, so they wouldn't mind paying more for the same type of food you can get almost halved the price in a food center. Blame it on the weather too. We welcomed the idea of having everything housed under one roof. We want to shop after we eat, why not eat in the mall, thereby we would not be exposed to the elements, protected and kept safe every steps of the way. Food courts are now for the elite.
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| Procreate | Ipad | Photoshop |
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| Procreate | Ipad | Photoshop |
So now if I say I am sketching in a food court, most people would understand that I am sketching in the comfort of cool air, and comfy chairs. A food center whilst is alfresco, open air concept, and warm if the ceiling fans are broken, or the climate got too hot and humid. A kopitiam is a smaller version of a food center, usually privately owned, open air and is most of the time found in HDB estates. Every venues have different demographics but equally noisy.
Now here's the class divide. Most, but not all, Singaporeans belong to the middle and upper class, so they wouldn't mind paying more for the same type of food you can get almost halved the price in a food center. Blame it on the weather too. We welcomed the idea of having everything housed under one roof. We want to shop after we eat, why not eat in the mall, thereby we would not be exposed to the elements, protected and kept safe every steps of the way. Food courts are now for the elite.
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| Procreate Pocket |
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| Effects added in Photoshop |
Procreate Pocket is a newly developed APP catered for use with the iPhone. A smaller and lighter version but the functionality is still as good as the tablet version. For this I use my finger to draw since I couldn't find any stylus to work well with my iPhone. At first it was hard as my finger keeps getting in my way. In the end I have to trust my instinct to know where my lines will end up. After a while, I got the hang of it. Like drawing on a small piece of paper with a huge brush or marker, I have to simplify and not over draw with too much details. Every stroke and line has to count and make up the image. It is difficult at first but it adds a certain element of challenge to the process of drawing.
Definitely I would give Procreate Pocket a go again and now I am not afraid anymore if my iPad Pro is not with me or run out of juice. :D
My journey from my home to Chinatown was made interesting with sketching on board.
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| With iPad Pro, Apple Pencil & Procreate |
During the course of dinner, I drew the busy scene in front of me, with some personal interpretations and capturing some likeness as well. I simply populated the entire sketch with people coming and going, usually from memory. The trick is to remember (as much as possible) the shape that constitute to the figure, pose and so forth. Every figure has its unique stance, pose and the sum of it is the shape or silhouette we register in our mind, more or less with or without the details. Some knowledge of anatomy would be helpful, certainly the ability to draw the proportion is good too.
Overall I am satisfied with the result of this sketch. The composition was balanced with the strategic placements of the darks creating a rhythm leading the eyes from one point to another and back again. The white spaces also create spots of resting areas for the viewer's eyes but also place certain emphasis on specific areas of the sketch/ drawing. Sometimes not much planning was made during the process of sketching, most of the time many decisions were made somewhat intuitively. Draw more think less.... hmmmm.

Since the launch of the hardware last year in Oct 2015, there have been many positive reviews by users all over the world. My rating for the Apple Pencil and the technology behind it: Awesome, and a 5 Stars rating. I am always attracted to the ease of use of a new hardware. In this case, all you need to do to connect the Apple Pencil to the iPad Pro is by sticking the Pencil's rear end into the charging port. There is no need for syncing to be done. There is no calibration. The Apple Pencil works like a charm with Procreate once the app is activated.
Why sketch digitally?

When Apple Pencil was first launched last year in Oct 2015, I gasped at how well the new stylus worked on the iPad Pro after watching a video demonstration by a great urban sketcher friend from Hong Kong. His name is Rob but he calls himself Rob Sketcherman. I got to know him when I attended a regional sketching symposium in Penang, Malaysia. He was sketching with the iPad, and I was really impressed by how he managed to make everything worked for him smoothly. I have tried sketching digitally with the iPad and iPad Mini with many different stylus but none work like he did. He shared his secrets with everyone else and I bought and tried all his methods but nothing worked for me. During the International Symposium held in Singapore last year in the month of July, I told Rob I was going to purchase a new iPad (v3) as the last resort to sketch digitally. Immediately, he told me to wait for the new iPad, at that time, we did not know that it would be called iPad Pro, but he knew its going to be bigger. I diligently waited for a couple more months before I got myself one in December 2015, and waited another month for the Pencil to arrive. By then I have already seen many video demonstrations on Youtube, and I couldn't wait to get my hands on the gadgets.
There was one burning question in my heart. If the Apple Pencil works so well, why weren't the Apple dealers in Singapore promoting it. For many months, the Apple Pencil did not show up on the shelves in many many Apple shops. A friend has to scour the earth and call up in order to finally find one that carried it. And when I asked around, not many creatives in Singapore actually got excited about it. Eventually I found out that the preferred stylus and tablets are actually Surface Pro, Samsung and Wacom. I guess there aren't many Apple supporters here. Oh well, I really don't care what others think as long as I am happy with my gadgets.
Since then I have been sketching digitally on the iPad Pro and it has slowly taken over my fountain pens and sketchbooks as the preferred choice of sketching, but not taken over entirely. I am still sketching with my pens and watercolours on papers, but recently I wasn't able to decide which to carry with me, so I turned to the iPad naturally. Recently I have also been tweeking the brush settings on Procreate so I could somehow emulate the effects of sketching traditionally. For example, I customised a brush that draws like the brush pen and I loved it.



The flexibility of the Procreate App makes it easy to make adjustments and providing the speed and ease of sketching fast. There is no lack and the response time is awesome. All the factors of a good drawing tablet. I wouldn't want to be bog down by settings, connections, sync-ing and so forth. I need the tablet to feel like drawing on paper though that is quite impossible, due to the glassy surface and the plastic feel of the stylus. The paper presets gives me the options of choosing which paper format and size. I love sketching on the long landscape format.


Since it is relatively light weight (almost weigh nothing to me), and fits into my bag easily, I carry it wherever I go. Sometimes my traditional mediums weigh more. I could do so much with so little. :D

It's always fun to finally find something that works well with my work flow. I like to sketch fast and problems like ink flow and finding water (still fun) sometimes frustrate me.

When Apple Pencil was first launched last year in Oct 2015, I gasped at how well the new stylus worked on the iPad Pro after watching a video demonstration by a great urban sketcher friend from Hong Kong. His name is Rob but he calls himself Rob Sketcherman. I got to know him when I attended a regional sketching symposium in Penang, Malaysia. He was sketching with the iPad, and I was really impressed by how he managed to make everything worked for him smoothly. I have tried sketching digitally with the iPad and iPad Mini with many different stylus but none work like he did. He shared his secrets with everyone else and I bought and tried all his methods but nothing worked for me. During the International Symposium held in Singapore last year in the month of July, I told Rob I was going to purchase a new iPad (v3) as the last resort to sketch digitally. Immediately, he told me to wait for the new iPad, at that time, we did not know that it would be called iPad Pro, but he knew its going to be bigger. I diligently waited for a couple more months before I got myself one in December 2015, and waited another month for the Pencil to arrive. By then I have already seen many video demonstrations on Youtube, and I couldn't wait to get my hands on the gadgets.
There was one burning question in my heart. If the Apple Pencil works so well, why weren't the Apple dealers in Singapore promoting it. For many months, the Apple Pencil did not show up on the shelves in many many Apple shops. A friend has to scour the earth and call up in order to finally find one that carried it. And when I asked around, not many creatives in Singapore actually got excited about it. Eventually I found out that the preferred stylus and tablets are actually Surface Pro, Samsung and Wacom. I guess there aren't many Apple supporters here. Oh well, I really don't care what others think as long as I am happy with my gadgets.
Since then I have been sketching digitally on the iPad Pro and it has slowly taken over my fountain pens and sketchbooks as the preferred choice of sketching, but not taken over entirely. I am still sketching with my pens and watercolours on papers, but recently I wasn't able to decide which to carry with me, so I turned to the iPad naturally. Recently I have also been tweeking the brush settings on Procreate so I could somehow emulate the effects of sketching traditionally. For example, I customised a brush that draws like the brush pen and I loved it.



The flexibility of the Procreate App makes it easy to make adjustments and providing the speed and ease of sketching fast. There is no lack and the response time is awesome. All the factors of a good drawing tablet. I wouldn't want to be bog down by settings, connections, sync-ing and so forth. I need the tablet to feel like drawing on paper though that is quite impossible, due to the glassy surface and the plastic feel of the stylus. The paper presets gives me the options of choosing which paper format and size. I love sketching on the long landscape format.
Since it is relatively light weight (almost weigh nothing to me), and fits into my bag easily, I carry it wherever I go. Sometimes my traditional mediums weigh more. I could do so much with so little. :D
It's always fun to finally find something that works well with my work flow. I like to sketch fast and problems like ink flow and finding water (still fun) sometimes frustrate me.
There was a time i love going to the buffet just because I could taste out different kind of food all at the same time. After a while being satiated, everything tasted almost the same. We stopped going to buffet because besides, we decided to cut some slack on eating. It was almost a year later we thought of trying out Asian Market on a weekend when both my wife and myself just felt like chilling in a buffet restaurant.
We did not make a reservation but many did. So we have to let those who have made their reservations enter first, but it was just a short wait of 5mins. The eaters came in hordes, mostly families. I was thinking, the buffet per pax is not that cheap... unless they have discount somewhere, or the minimal to spend would be in the hundreds. There are many rich people in Singapore I suppose.
It was quite a pleasant experience eating at the restaurant before it got rowdy and more crowded. There was no shoving or pushing but there were times I felt arms stretching from above me or under my arm pits just to reach out to the buffet spread. Some people were too hungry to wait for their turn I think or they were just desperate.
So after I got my fill, I sat back, took my iPad out to draw an exaggerated scene of the buffet. As I was drawing I was thinking, when will people learn to wait for their turn? But I was also reminded that this was not that bad compared to a video I saw of Chinese (in China) fighting at a buffet table. It makes me feel odd when I would diligently stood in line to get to the food.
Drawn based on the people sitting around our table. The sign of affluence is everywhere.
#ipadpro #applepencil #procreate #buffet
We did not make a reservation but many did. So we have to let those who have made their reservations enter first, but it was just a short wait of 5mins. The eaters came in hordes, mostly families. I was thinking, the buffet per pax is not that cheap... unless they have discount somewhere, or the minimal to spend would be in the hundreds. There are many rich people in Singapore I suppose.
It was quite a pleasant experience eating at the restaurant before it got rowdy and more crowded. There was no shoving or pushing but there were times I felt arms stretching from above me or under my arm pits just to reach out to the buffet spread. Some people were too hungry to wait for their turn I think or they were just desperate.
So after I got my fill, I sat back, took my iPad out to draw an exaggerated scene of the buffet. As I was drawing I was thinking, when will people learn to wait for their turn? But I was also reminded that this was not that bad compared to a video I saw of Chinese (in China) fighting at a buffet table. It makes me feel odd when I would diligently stood in line to get to the food.
Drawn based on the people sitting around our table. The sign of affluence is everywhere.
#ipadpro #applepencil #procreate #buffet
ABOUT ME

Don Low is a freelance illustrator and a published comic artist based in Singapore. He sketches and paints in his free time, at the same time teaches drawing and art as an adjunct lecturer.
life is the art of drawing without an eraser.
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