Showing posts with label iPad Pro. Show all posts
Showing posts with label iPad Pro. Show all posts
I always find the apple pencil is made too slender and petite for me, therefore it slips often in my fingers when I draw or when I am just holding it. When I am so used to the Wacom stylus that has a 1.4cm grip diameter compared to a 0.8-0.9cm grip diameter of the Apple Pencil. For the latter I tend to grip tighter. So I went in search for something to correct this and I found a silicon sleeve for the Pencil from a Chinese shopping site called Taobao.com. The sleeve is anti-slip and besides, it also increase the grip diameter to 1cm. Not a lot but it feels good. Now the Pencil doesn't feel like it is going to slip from my fingers at any moment. Just 2 years ago I damaged a Gen 1 Pencil when it slipped through my fingers and landed on cement floor. For the Gen 1 Apple Pencil, I took the rubber bunker off from a used ball point pen to double up as a grip, and it works very well.
There are even 5 others colours to choose from. Pink!! LOL! The package came with 2 sleeves for the pen tip but I think they are useless, even though you are still able to use them on the screen.
If you know Chinese, search for 博音苹果第二代apple pencil2保护套二代笔套 on the shopping site.
If you are thinking whether the sleeve affects pairing and charging, no it doesn't. It doesn't change the magnetic strength to attach the Pencil on the iPad too.
Here's a pic of my Gen 1 Apple Pencil with the ball point pen grip. Rob Sketcherman gave me the yellow rubber cap for my Pencil.
I have been using Procreate to paint more now. This time I am attempting to paint clouds in the Manga/ Anime style. Following some tuts found from the Internet, I tried painting some generic clouds and then duplicating some to create a variety. Here's the result:
The numbers indicate the sequence of attempts. The last and the most satisfactory attempt is placed on the top right hand corner, and duplicated on the left with some transformation. The gradient of the background is done with an airbrush tool modified to the largest size and taking advantage of the pressure sensitivity of the Apple pencil to create a smooth transition. I use the Smudge tool to blend the edges of the clouds to make them look natural. It would be wise to paint hard edges first and then blend in an outward motion after.
To make the clouds look natural, one tip is to design the shapes to be asymmetrical. Have different transparency on all the clouds and edge transitions too. Every cloud has to look different. That's the challenging part.
My next test would be to paint different types of cloud and then eventually create a cloud scene in different time of day.
#animeclouds #paintingclouds #procreate #applepencil #ipadpro #clouds #paintclouds #animeclouds
The numbers indicate the sequence of attempts. The last and the most satisfactory attempt is placed on the top right hand corner, and duplicated on the left with some transformation. The gradient of the background is done with an airbrush tool modified to the largest size and taking advantage of the pressure sensitivity of the Apple pencil to create a smooth transition. I use the Smudge tool to blend the edges of the clouds to make them look natural. It would be wise to paint hard edges first and then blend in an outward motion after.
To make the clouds look natural, one tip is to design the shapes to be asymmetrical. Have different transparency on all the clouds and edge transitions too. Every cloud has to look different. That's the challenging part.
My next test would be to paint different types of cloud and then eventually create a cloud scene in different time of day.
#animeclouds #paintingclouds #procreate #applepencil #ipadpro #clouds #paintclouds #animeclouds
Just recently, Clip Studio Paint Ex is released for the iPad Pro. It is both good news and bad news for many ClipStudio Paint user. But it comes with a downside: it is on a subscription basis: SGD11 per month in Singapore. Many of my friends did not welcomed this but rather wished that they could purchase it at one cost. However the app is free to use for 6 months once you subscribed to it. Another artist said you can unsubscribe it anytime when you are done saving the file. I have yet to try but this sounds like a great idea. So I downloaded it and imagined myself working on my comics project off the desktop for once.
The APP is available on iTunes: https://itunes.apple.com/us/app/clip-studio-paint-ex-for-manga/id1262985592?mt=8 Visit the program's website here for more info: http://www.clipstudio.net/en
The User Interface looks exactly the same as the desktop version. I have yet to try changing the position of the tool sets. My question: How am I suppose to import my existing working files from the iMac to the iPad, and then back again.
The solution is simple. Since my desktop and iPad is sharing the same wifi connection in the studio, I could use Apple Airdrop to transfer files, just by dragging and drop to the folder.
I use the same method to transfer all other files back and forth iPad and iMac, same with folders, Keynotes, and etc. I used to use a external device connecting via USB and Thunderbolt adaptor, which works great too, but Airdrop saves the hassle of plugging in and plugging out.
Once you accept the file on iPad Pro, Clip Studio opens it up automatically and you can start working on your file. If it doesn't, try importing again. Clipstudio saves the files in its own file directory (I have no idea where exactly is the root directory).
To put back the finished file back to the Desktop on your iMac, click on the ClipStudio icon located on the top left corner of the UI. It will pull down a drop menu. Select "File Management". It will bring you to a Panel containing all your files. Check the desired file and then select "SHARE". Choose the location where you want to save the file. I chose my iMac via Airdrop again. Remember to accept it on your Desktop. These steps are entailed in the following images.
With this, I have no doubt ClipStudio is able to take over some of the major imaging software out in the market. In fact ClipStudio has been able to perform better and you may be able to do more with the app.
I have yet to fully run the app to test run its capability on my iPad. There are still many things to consider. For example, importing my favourite customised G-pen, or screen tones and etc. But I don't see a problem with these. There is just one thing. I need to import my purchased comics font into my iPad Pro so I could edit my text on my comics. Currently I am using "HUNDREDWATT BB" for my project, a font I bought from Blambot.
When I found the font package on my Desktop, to my horror it is in FFIL format - a pre-OSX file type. I have to convert it to Open Type or Truetype in order for me to use it on my iPad Pro. But before that I tried to re-download the font from the vendor but it told me my download link has expired. I bought the font way before when there was OSX on my older machine. I have to write in to the vendor to request for a re-download.
Refusing to wait, I found "TransType 4" after some reading up.
With it I successfully converted my pre-OSX fonts to TTF or OTF.
To import the converted fonts to iPad, I am using "ALL FONTS" that I got off iTunes.

The app will provide you with an IP address that you key into the address bar of your Safari browser. However this method did not work for me. I simply Airdrop the fonts and save them into File system of the iPad (I used DOCUMENTS in this case), and selecting the Cloud icon on the top right corner of the UI to import the fonts and installing them.
Here's a test of the fonts on my iPad Pro's ClipStudio.
Up to this point, everything is good so far.
At the moment, I am using the first gen iPad Pro which has a slower speed. So I am not sure how it will perform when I am working on multiple panels on ClipStudio, and how Apple Pencil would respond to ClipStudio.
I will update in time to come. Have a great holiday!
There are always some students in need in class, and you have to attend to them no matter how small the problem is. Fortunately, most problems are good and constructive ones. When some, not a big percentage though, are just lost. I have students who have zero experience in art, be it drawing or painting. Many first timers who do not have a clue on how to hold a pencil to draw. Teaching a class like this takes lotsa patience but most of the time, very rewarding experience. I usually consider teaching an opportunity to learn afresh and to understand the process of learning.

I like students to ask me things, anything. The reason is, I cannot remember everything that I intended to say or teach when it comes to delivering a lecture or some sort. If a class is too quiet, I drift off. I am not the type of teacher who could put up a show, like a magician or a clown does. I am there to impart my experience or knowledge about something, not to entertain. And certainly not to inspire someone to learn something. Don't get me wrong. This is different about inspiring someone to be better. To me, the ability and the desire to learn is from inside out. You have to be interested and be inspired to learn to begin with. My job is not to help with a student's lack of inspiration to learn or to get better. Like a physician who cannot make you get better unless you want to.

Anyway, when the class is focused in their own work, usually their personal project, I would be sketching the students in my spare time. I have been doing that since I started teaching. Its part of my own training and you don't get to sketch people hard at work behind their easels all the time. And it is far more interesting than drawing or painting nude. :D It keeps the class quiet too. And if anyone interested to get behind me to see the process, they are very welcomed to do so.

Here's one done with hard pastels on newsprint. If you can tell, I actually edited this on my iPad Pro with Procreate. It wasn't intentional though. On its own it looks OK, but when I took a pix with my iPhone, the flaws of the drawing become apparent. I have to correct them before I put it out for everyone. It would be embarrassing if someone came to tell me what went wrong with the drawing. Though it is not perfect yet, I am fairly satisfied with the result for now.

Now back to ranting about learning how to draw....
It definitely takes quite a bit of time to learn to draw or paint and to be good at it. There is no shortcut. First of all you need to grapple with the basics, then you have to apply those basics on a more tangible subject matter, like simple geometric forms to human figure. If a student fresh out of school who has no more than doodling on his or her exercise book, the whole process of learning the foundations can seem daunting. I would be if I am that student. Picking up a charcoal or a pencil to draw is like having to learn to use muscles that have not been used before. Just like when I was trying to teach myself to play the piano. I have no idea how to move my fingers at all. I also tried drawing and painting with my non-dominant hand (left hand) and I realise that I am also facing the same problem as a new learner in drawing. I remember those times when I was learning how to drive. The legs just wouldn't want to listen to me. But with practise, driving becomes a breeze. To learn something you need to spend enough time practicing. The more one practices, the better he gets. There is no doubt that any skill needs a considerable amount of investment, in terms of putting in the time. Animators call it putting in the pencil mileage.
To draw well and to paint well, we need to put in enough mileage of time to understand mediums, techniques, ideas, composition, designs, style, and etc. There are so many things to learn and attending just 20 lessons just isn't enough. To become an artist, it takes a life time of learning, exploring and discovering. Without passion to fuel these, it is easy to give up. Moreover, there is also a possibility you may not end up a great artist in the end. However, working hard with patience always pays well.
I like students to ask me things, anything. The reason is, I cannot remember everything that I intended to say or teach when it comes to delivering a lecture or some sort. If a class is too quiet, I drift off. I am not the type of teacher who could put up a show, like a magician or a clown does. I am there to impart my experience or knowledge about something, not to entertain. And certainly not to inspire someone to learn something. Don't get me wrong. This is different about inspiring someone to be better. To me, the ability and the desire to learn is from inside out. You have to be interested and be inspired to learn to begin with. My job is not to help with a student's lack of inspiration to learn or to get better. Like a physician who cannot make you get better unless you want to.

Anyway, when the class is focused in their own work, usually their personal project, I would be sketching the students in my spare time. I have been doing that since I started teaching. Its part of my own training and you don't get to sketch people hard at work behind their easels all the time. And it is far more interesting than drawing or painting nude. :D It keeps the class quiet too. And if anyone interested to get behind me to see the process, they are very welcomed to do so.

Here's one done with hard pastels on newsprint. If you can tell, I actually edited this on my iPad Pro with Procreate. It wasn't intentional though. On its own it looks OK, but when I took a pix with my iPhone, the flaws of the drawing become apparent. I have to correct them before I put it out for everyone. It would be embarrassing if someone came to tell me what went wrong with the drawing. Though it is not perfect yet, I am fairly satisfied with the result for now.

Now back to ranting about learning how to draw....
It definitely takes quite a bit of time to learn to draw or paint and to be good at it. There is no shortcut. First of all you need to grapple with the basics, then you have to apply those basics on a more tangible subject matter, like simple geometric forms to human figure. If a student fresh out of school who has no more than doodling on his or her exercise book, the whole process of learning the foundations can seem daunting. I would be if I am that student. Picking up a charcoal or a pencil to draw is like having to learn to use muscles that have not been used before. Just like when I was trying to teach myself to play the piano. I have no idea how to move my fingers at all. I also tried drawing and painting with my non-dominant hand (left hand) and I realise that I am also facing the same problem as a new learner in drawing. I remember those times when I was learning how to drive. The legs just wouldn't want to listen to me. But with practise, driving becomes a breeze. To learn something you need to spend enough time practicing. The more one practices, the better he gets. There is no doubt that any skill needs a considerable amount of investment, in terms of putting in the time. Animators call it putting in the pencil mileage.
To draw well and to paint well, we need to put in enough mileage of time to understand mediums, techniques, ideas, composition, designs, style, and etc. There are so many things to learn and attending just 20 lessons just isn't enough. To become an artist, it takes a life time of learning, exploring and discovering. Without passion to fuel these, it is easy to give up. Moreover, there is also a possibility you may not end up a great artist in the end. However, working hard with patience always pays well.
It was only a couple of years ago, the idea of a food court changed when big companies decided to brand the idea of selling street food in a shopping mall, where patrons would be able to enjoy relatively cheap and their favourite street food in the comfort of air-conditioning. Well the prices went up quite a bit but many of us seemed to welcome the idea of eating in comfort.
For some, the price hike is not worth it so they stay with the open air food courts, some with ceiling fans, and wouldn't mind basking in the aroma of steam and oil. You could save quite a fair sum if you are eating out everyday.
So now if I say I am sketching in a food court, most people would understand that I am sketching in the comfort of cool air, and comfy chairs. A food center whilst is alfresco, open air concept, and warm if the ceiling fans are broken, or the climate got too hot and humid. A kopitiam is a smaller version of a food center, usually privately owned, open air and is most of the time found in HDB estates. Every venues have different demographics but equally noisy.
Now here's the class divide. Most, but not all, Singaporeans belong to the middle and upper class, so they wouldn't mind paying more for the same type of food you can get almost halved the price in a food center. Blame it on the weather too. We welcomed the idea of having everything housed under one roof. We want to shop after we eat, why not eat in the mall, thereby we would not be exposed to the elements, protected and kept safe every steps of the way. Food courts are now for the elite.
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| Procreate | Ipad | Photoshop |
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| Procreate | Ipad | Photoshop |
So now if I say I am sketching in a food court, most people would understand that I am sketching in the comfort of cool air, and comfy chairs. A food center whilst is alfresco, open air concept, and warm if the ceiling fans are broken, or the climate got too hot and humid. A kopitiam is a smaller version of a food center, usually privately owned, open air and is most of the time found in HDB estates. Every venues have different demographics but equally noisy.
Now here's the class divide. Most, but not all, Singaporeans belong to the middle and upper class, so they wouldn't mind paying more for the same type of food you can get almost halved the price in a food center. Blame it on the weather too. We welcomed the idea of having everything housed under one roof. We want to shop after we eat, why not eat in the mall, thereby we would not be exposed to the elements, protected and kept safe every steps of the way. Food courts are now for the elite.
My journey from my home to Chinatown was made interesting with sketching on board.
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| With iPad Pro, Apple Pencil & Procreate |
During the course of dinner, I drew the busy scene in front of me, with some personal interpretations and capturing some likeness as well. I simply populated the entire sketch with people coming and going, usually from memory. The trick is to remember (as much as possible) the shape that constitute to the figure, pose and so forth. Every figure has its unique stance, pose and the sum of it is the shape or silhouette we register in our mind, more or less with or without the details. Some knowledge of anatomy would be helpful, certainly the ability to draw the proportion is good too.
Overall I am satisfied with the result of this sketch. The composition was balanced with the strategic placements of the darks creating a rhythm leading the eyes from one point to another and back again. The white spaces also create spots of resting areas for the viewer's eyes but also place certain emphasis on specific areas of the sketch/ drawing. Sometimes not much planning was made during the process of sketching, most of the time many decisions were made somewhat intuitively. Draw more think less.... hmmmm.
It's Saturday morning again, time for breakfast and some sketching over my favourite coffee brewed traditionally in the local style. We were again back to our fav haunt just a short walk from where we live. The most difficult part of this journey to the kopitiam is crossing a three lane single direction road, flanked by, on one side shophouses, and on the other, condominiums. Timing is crucial. We could only cross when the traffic light located about 80m ahead of us turns red for the incoming traffic. On most occasions, we have to make a dash across as most cars do not show mercy. It's too far for us to walk to the traffic light and back again. It's doesn't make sense too as the kopitiam is just 30m right across.
Ever since I bought my iPad Pro, I have been bringing it for my breakfast sketching expedition since it doesn't involve much. I placed it in a nifty cloth bag with the Apple Pencil and iPhone, and slung over my shoulder. I chose the iPad over my traditional tools just because it's convenient. Furthermore, an iPad alone also offers more than it looks. Procreate provides all the necessary tools I need, ranging from pencil brushes to even textured brushes.
When we arrived, the kopitiam was already quite occupied. The only table we got for ourselves only allow me to face out of the kopitiam. But new tables were opened and filled up very soon as we were just about to order our coffee. As you can see from the first sketch, it is customary for some customers to drive up and park beside the kopitiam. There are about 3-4 parking lots along the road. With your car just parked beside you, you could rest easy without placing a parking coupon and not worry about being sneaked up by the parking attendant without you noticing.
If its not too noisy sometimes, you could make out what others were talking about. But I usually made up the dialogue in the sketch as I am not particularly interested in what others have to say. I presume if it's not about the government, then it's complaining about their spouses or children, or maybe how tough life is.

Since the launch of the hardware last year in Oct 2015, there have been many positive reviews by users all over the world. My rating for the Apple Pencil and the technology behind it: Awesome, and a 5 Stars rating. I am always attracted to the ease of use of a new hardware. In this case, all you need to do to connect the Apple Pencil to the iPad Pro is by sticking the Pencil's rear end into the charging port. There is no need for syncing to be done. There is no calibration. The Apple Pencil works like a charm with Procreate once the app is activated.
Why sketch digitally?

When Apple Pencil was first launched last year in Oct 2015, I gasped at how well the new stylus worked on the iPad Pro after watching a video demonstration by a great urban sketcher friend from Hong Kong. His name is Rob but he calls himself Rob Sketcherman. I got to know him when I attended a regional sketching symposium in Penang, Malaysia. He was sketching with the iPad, and I was really impressed by how he managed to make everything worked for him smoothly. I have tried sketching digitally with the iPad and iPad Mini with many different stylus but none work like he did. He shared his secrets with everyone else and I bought and tried all his methods but nothing worked for me. During the International Symposium held in Singapore last year in the month of July, I told Rob I was going to purchase a new iPad (v3) as the last resort to sketch digitally. Immediately, he told me to wait for the new iPad, at that time, we did not know that it would be called iPad Pro, but he knew its going to be bigger. I diligently waited for a couple more months before I got myself one in December 2015, and waited another month for the Pencil to arrive. By then I have already seen many video demonstrations on Youtube, and I couldn't wait to get my hands on the gadgets.
There was one burning question in my heart. If the Apple Pencil works so well, why weren't the Apple dealers in Singapore promoting it. For many months, the Apple Pencil did not show up on the shelves in many many Apple shops. A friend has to scour the earth and call up in order to finally find one that carried it. And when I asked around, not many creatives in Singapore actually got excited about it. Eventually I found out that the preferred stylus and tablets are actually Surface Pro, Samsung and Wacom. I guess there aren't many Apple supporters here. Oh well, I really don't care what others think as long as I am happy with my gadgets.
Since then I have been sketching digitally on the iPad Pro and it has slowly taken over my fountain pens and sketchbooks as the preferred choice of sketching, but not taken over entirely. I am still sketching with my pens and watercolours on papers, but recently I wasn't able to decide which to carry with me, so I turned to the iPad naturally. Recently I have also been tweeking the brush settings on Procreate so I could somehow emulate the effects of sketching traditionally. For example, I customised a brush that draws like the brush pen and I loved it.



The flexibility of the Procreate App makes it easy to make adjustments and providing the speed and ease of sketching fast. There is no lack and the response time is awesome. All the factors of a good drawing tablet. I wouldn't want to be bog down by settings, connections, sync-ing and so forth. I need the tablet to feel like drawing on paper though that is quite impossible, due to the glassy surface and the plastic feel of the stylus. The paper presets gives me the options of choosing which paper format and size. I love sketching on the long landscape format.


Since it is relatively light weight (almost weigh nothing to me), and fits into my bag easily, I carry it wherever I go. Sometimes my traditional mediums weigh more. I could do so much with so little. :D

It's always fun to finally find something that works well with my work flow. I like to sketch fast and problems like ink flow and finding water (still fun) sometimes frustrate me.

When Apple Pencil was first launched last year in Oct 2015, I gasped at how well the new stylus worked on the iPad Pro after watching a video demonstration by a great urban sketcher friend from Hong Kong. His name is Rob but he calls himself Rob Sketcherman. I got to know him when I attended a regional sketching symposium in Penang, Malaysia. He was sketching with the iPad, and I was really impressed by how he managed to make everything worked for him smoothly. I have tried sketching digitally with the iPad and iPad Mini with many different stylus but none work like he did. He shared his secrets with everyone else and I bought and tried all his methods but nothing worked for me. During the International Symposium held in Singapore last year in the month of July, I told Rob I was going to purchase a new iPad (v3) as the last resort to sketch digitally. Immediately, he told me to wait for the new iPad, at that time, we did not know that it would be called iPad Pro, but he knew its going to be bigger. I diligently waited for a couple more months before I got myself one in December 2015, and waited another month for the Pencil to arrive. By then I have already seen many video demonstrations on Youtube, and I couldn't wait to get my hands on the gadgets.
There was one burning question in my heart. If the Apple Pencil works so well, why weren't the Apple dealers in Singapore promoting it. For many months, the Apple Pencil did not show up on the shelves in many many Apple shops. A friend has to scour the earth and call up in order to finally find one that carried it. And when I asked around, not many creatives in Singapore actually got excited about it. Eventually I found out that the preferred stylus and tablets are actually Surface Pro, Samsung and Wacom. I guess there aren't many Apple supporters here. Oh well, I really don't care what others think as long as I am happy with my gadgets.
Since then I have been sketching digitally on the iPad Pro and it has slowly taken over my fountain pens and sketchbooks as the preferred choice of sketching, but not taken over entirely. I am still sketching with my pens and watercolours on papers, but recently I wasn't able to decide which to carry with me, so I turned to the iPad naturally. Recently I have also been tweeking the brush settings on Procreate so I could somehow emulate the effects of sketching traditionally. For example, I customised a brush that draws like the brush pen and I loved it.



The flexibility of the Procreate App makes it easy to make adjustments and providing the speed and ease of sketching fast. There is no lack and the response time is awesome. All the factors of a good drawing tablet. I wouldn't want to be bog down by settings, connections, sync-ing and so forth. I need the tablet to feel like drawing on paper though that is quite impossible, due to the glassy surface and the plastic feel of the stylus. The paper presets gives me the options of choosing which paper format and size. I love sketching on the long landscape format.
Since it is relatively light weight (almost weigh nothing to me), and fits into my bag easily, I carry it wherever I go. Sometimes my traditional mediums weigh more. I could do so much with so little. :D
It's always fun to finally find something that works well with my work flow. I like to sketch fast and problems like ink flow and finding water (still fun) sometimes frustrate me.
There was a time i love going to the buffet just because I could taste out different kind of food all at the same time. After a while being satiated, everything tasted almost the same. We stopped going to buffet because besides, we decided to cut some slack on eating. It was almost a year later we thought of trying out Asian Market on a weekend when both my wife and myself just felt like chilling in a buffet restaurant.
We did not make a reservation but many did. So we have to let those who have made their reservations enter first, but it was just a short wait of 5mins. The eaters came in hordes, mostly families. I was thinking, the buffet per pax is not that cheap... unless they have discount somewhere, or the minimal to spend would be in the hundreds. There are many rich people in Singapore I suppose.
It was quite a pleasant experience eating at the restaurant before it got rowdy and more crowded. There was no shoving or pushing but there were times I felt arms stretching from above me or under my arm pits just to reach out to the buffet spread. Some people were too hungry to wait for their turn I think or they were just desperate.
So after I got my fill, I sat back, took my iPad out to draw an exaggerated scene of the buffet. As I was drawing I was thinking, when will people learn to wait for their turn? But I was also reminded that this was not that bad compared to a video I saw of Chinese (in China) fighting at a buffet table. It makes me feel odd when I would diligently stood in line to get to the food.
Drawn based on the people sitting around our table. The sign of affluence is everywhere.
#ipadpro #applepencil #procreate #buffet
We did not make a reservation but many did. So we have to let those who have made their reservations enter first, but it was just a short wait of 5mins. The eaters came in hordes, mostly families. I was thinking, the buffet per pax is not that cheap... unless they have discount somewhere, or the minimal to spend would be in the hundreds. There are many rich people in Singapore I suppose.
It was quite a pleasant experience eating at the restaurant before it got rowdy and more crowded. There was no shoving or pushing but there were times I felt arms stretching from above me or under my arm pits just to reach out to the buffet spread. Some people were too hungry to wait for their turn I think or they were just desperate.
So after I got my fill, I sat back, took my iPad out to draw an exaggerated scene of the buffet. As I was drawing I was thinking, when will people learn to wait for their turn? But I was also reminded that this was not that bad compared to a video I saw of Chinese (in China) fighting at a buffet table. It makes me feel odd when I would diligently stood in line to get to the food.
Drawn based on the people sitting around our table. The sign of affluence is everywhere.
#ipadpro #applepencil #procreate #buffet
Don Low | Apple Pencil | IPad Pro | Procreate
I have been drawing more and more with the iPad Pro because it is so handy and allows me to draw anywhere and anytime. Besides I discovered a great way to carry them around together without having to use the original box that the Apple Pencil came with. I used a Gridit carrier that a friend gave me on my birthday. It wasn't doing anything so far so I think I am going to put it in good use now. It can hold other things too.
For now, I am finally not desk bound when I want to draw digitally. I am now drawing on my iPad Pro on my bed while watching movies on the TV or reading a book on the bed or something. If you have worked on your desk for the entire day and wanted to get a break from it, but still want to doodle, iPad Pro is the solution for me. Here's a sketch and doodle paying homage to Ashley Wood. Everyone's favourite comic artist and illustrator.
Hanging out in the cafe was fun too if I have my iPad Pro with me. I am not going to be deterred by dim lighting anymore. Drawing with Procreate offers me with lotsa versatility. With all the digital advantages I have on hand, I have kept in mind to not to rely too much on the digital format, so besides the eraser tool and scaling function, I have tried to minimise the use of other functions, even avoiding the use of zooming in to draw details. This is actually made possible with the use of Apple Pencil, which has a good "point" just like a sharpened pencil or fine point pen. I could see what and where I am drawing now because of that.
Here's a good example of not making my digital drawing look to digital. I have kept the toning or shading rough and "dirty". I avoided blending or creating gradients, even filling out large areas with blacks or a shade. You get a little impatience sometimes with drawing digitally but I tried my best not to use shortcuts. Fortunately, Procreate does not have too many tools like Photoshop, so doing that is not so difficult.
Overall, drawing digitally allows me draw much faster and more without having to carry with me too many things. Adding white for example was easy in this case. Not using transparency tools, but simply controlling the pressure on the pen to get different degrees of lightness. I am still trying to make my lines for gestural, just needing practice on the tool.
They say Apple has created a cult. The members of this cult have all gone crazy for Apple's products especially towards the smart phones and tablets series. I do believe the range of products that were created since the launch of the first device has touched many, including myself. My first device was the iPod, but back then I could't really afford an iPhone until 2010, when I converted from using a HTC smartphone to iPhone 4S. The switch was the best thing, and since then I have not used another other smart device except Apple's.
The thirst for a good digital drawing device has led me to acquire an iPad, but I wasn't able to get it to work as well as I wanted it to. My next upgrade was iPad Mini, which after trying out several stylus from various brands, including the Wacom Creative Stylus 1 & 2, I decided to just forget about drawing on the iPad, though I had some but rare successes. A friend of mine managed to get his iPad 2 and the Wacom stylus 2 to work very well together. He proudly showed me his drawings done with the duo. I blamed it on my first generation iPad Mini which I used for browsing the internet and reading.
iPhone 6+ was a wonderful improvement. I enjoyed the big screen, clarity and speed. The camera is great and everything works to perfection, except for drawing. The drawing apps on the Plus, to me are not working for me. On the verge of giving up, a friend advised me to wait for the newest iPad that would be launched near the end of 2015. Little did I know that it would be the iPad Pro. After seeing the numerous demo videos, I was immediately bought in. I bought the iPad Pro in the month of December when it was made available in the shops and then waited 3 weeks for my online order of the Apple Pencil to arrive.
They are magical to work with and to sketch with. Light weight and sync seamlessly, the 2 devices work so well together I have not felt happier drawing on the tablet. There is still some getting use to with the drawing app (Procreate) , but so far, the drawing experience is great. I am now looking forward to more upgrades with the app so it can offer more.
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| My cat, Tibby |
But the drawing process doesn't change with a digital tool. Drawing still involves the perception, how we see, and translation of what we have understood from what we see onto paper or canvas.
Recently, while searching for a relatively cheap sketchbook to draw on for all my daily visual journal, I found Moleskine Watercolor sketchbook; the latter is retailing quite expensively in Singapore. I got my cheap stash from Book Depository, almost more than halved the prices in the shops. Initially I wanted to do more watercolour on Moleskine watercolour book, but I found that it is better with brush pen and fountain pens. Here's one with brush pen.
A first drawing done on the first day of the New Year while having our first breakfast.
By the way, a Happy New Year to all you who reads my blog. A big thank you too.
When the iPad Pro was first introduced with the Apple Pencil, there was so much excitement. I wanted one so badly but I have wait for about half a year before the gadget was launched in the market. When it launched the shipment was limited, and before long, everything out there was sold out. I waited till my trip to Taiwan when my wife bought the iPad Pro as my Christmas gift. The reason was we could enjoy a 7% discount at the airport. However I did not have an Apple Pencil yet so having the iPad Pro wasn't a big deal yet. In fact without Apple Pencil, the pro tablet is just another iPad with a 13" screen, like a Macbook without the keyboard. The wider and bigger screen makes it easier for reading though I felt that the iPad Air is sufficiently big enough. I waited another 2 weeks for my Apple Pencil to arrive and excitingly, it arrived aptly on Christmas Eve.
This is the first drawing I did, with Procreate.
My main concern was how well the Pencil communicates with the tablet. All I need is a fast and immediate response whenever I draw a line. So far so good! I have difficulty "clicking" some tools on Procreate though. This I can ignore and just use my finger. Next was to check whether the line lags behind when I draw fast. No lag, and unlike the Cintiq, the glass surface doesn't look too thick, so the line and the Pencil tip seems to be quite close. That's a plus point!! But drawing on the glass surface with a plastic pen doesn't sync well with me yet. I actually like the resistance between the pen and the paper. Overcoming the resistance produces line characters that are always unpredictable and it is always a delight to see ink blotches, bleeds, and splatter. Drawing digitally is difficult to produces such effects.
I particularly like the pen tools, since I have always like drawing with fountain pen. When I need to fill in tones, I switched to the brush tools. The process is not much different from drawing with a fountain pen and then shading the line drawing with copic markers. The glass surface of the tablet makes it hard to draw precisely because the stylus tends to slip. This is something I need to get use to. But I do like the fact that every process of drawing is contained within a tablet.
There are some glitches here and there. For example, the UNDO function can be done by tapping the tablet with 2 fingers. Even though the palm rejection capability is perfect, sometimes UNDO was activated accidentally and unknowingly. But I am not discounting the tablet and the pencil for this reason. Hopefully it is a software glitch that can be patched.
The first drawings using the Pencil tools entirely making full use of the Tilt function of the Pencil. These are done 'live' with my wife and my cat as my life models. The TILT functions offers opacity and thickness variations with pressure sensitivity. It is therefore extremely easy to control line thickness and values like using a real pencil or charcoal, without having the mess the latter mediums produce. There are also brushes available out there that are able to mimic natural mediums like drawing on textured papers. It is also possible to change the background colour and texture too. As for now, I am still finding alternative ways to hold the tablet comfortably while drawing so my hand wouldn't get too tired.


Drawing from reference images.

A minor problem that I encountered.
ABOUT ME

Don Low is a freelance illustrator and a published comic artist based in Singapore. He sketches and paints in his free time, at the same time teaches drawing and art as an adjunct lecturer.
life is the art of drawing without an eraser.
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